Law and Order (1932) ***
Produced by Carl Laemmle Jr.
Distributed by Universal Pictures
Directed by Edward L. Cahn
This film had many contributions from a more contemporary perspective that lent itself well to the creation of a film which has the at times non-western feel like that you see in Gary Cooper’s performance in
High Noon (1952). The source material is the novel “Saint Johnson (1930)” by William R. Burnett whose 1929 work "Little Caesar" became the 1931 film of the same name that stands proudly in the tradition of 30’s gangster films and John Huston’s adaptation captures this aspect well. It is also the first (and one of very few) westerns directed by Edward L. Cahn. As an example, he would much later direct the sci-fi classic
It! The Terror from Beyond Space (1958) which would influence the original screenplay for one of my personal favorites Alien (1979). What really sells
Law and Order are the compelling performances by a fine cast. Walter Huston, who we just saw before as Trampus in
The Virginian (1929), at first plays it a bit aloof but builds tension throughout the film eventually screaming it the streets about a “reckoning” that immediately brought to my mind the scene from
Tombstone (1993). Harry Carry does extremely well as the Doc Holiday figure of Brandt and his death with the line “bury me with my shotgun” is a standout moment as well. While not a huge role, Judge Simpson is played by Russell Simpson who was in both silent versions of
The Virginian though is best known as Pa Joad from 1940’s
The Grapes of Wrath. You will even hear the familiar screeching of Andy Devine, who will for me forever be the stagecoach driver from
Stagecoach (1939).
The novel by Burnett is admittedly a fictionalized account of Wyatt Earp at Tombstone where the names and locations have been changed, though Tombstone replaces the fictional Alkali from the novel. I don’t need to recount the tale here given my audience but this version lacks any inserted love affair to muddy the waters of tough guy and buddies taming a lawless frontier town. A classic and far better than the remake in ’53 with Ronny Reagan.
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